Hello everyone,
For those who have played Rimsky-Korsakov’s Capriccio Espagnole, I have a question regarding the two glissandi in mvt 4 (Scena a Canto Gitaro) after figure Q (six bars from the end)
Do you fix a B natural (as in the Eolian chords before it), or return to the key signature for the glissandi (B flat) and only fix a G sharp? I now it doesn’t indicate a B natural in the gliss, but it’s been making me wonder what other people’s opinions are about this.
Thanks folks!
John